‘One problem with attacking the Smithsonian? Americans like it.’
Kelsey Ables at The Atlantic
Even as the “museum complex continues to face a pressure campaign from the White House, public fondness for the Smithsonian — for its free entry and eclectic collections — is hard to break,” says Kelsey Ables. Museums have “been largely immune to the most deleterious effects of the culture wars.” Most “Americans, unlike the president, seem to trust these entities to do their thing,” so “coming after a history museum may not be the base-galvanizing issue the White House hopes it is.”
‘The US government’s mislabeled map of Africa at a global AIDS conference shows again a failure to understand the continent’
Kenneth Ngure at The Guardian
At the 26th International AIDS Conference, a “slide presented by a senior U.S. State Department official displayed a map of Africa with country names glaringly scrambled and mislabeled,” says Kenneth Ngure. While the “mistake apparently occurred due to an overreliance on AI tools, it carried a painful symbolic weight.” The map “reinforced a longstanding frustration: that too many political leaders treat Africa as a monolithic abstraction rather than a continent of 54 distinct sovereign nations.”
‘Why patients wait months for care they don’t get’
Tessa Adzemović at The Boston Globe
Hospitals “were never designed to become long-term accommodations, but that’s become a reality for a select population,” says Tessa Adzemović. These “patients are medically cleared to leave but cannot be discharged because of capacity bottlenecks, insurance delays or legal complexities.” Many “prolonged hospitalizations have significant implications for patient outcomes, hospital resource utilization and healthcare costs.” The “reasons for these delayed discharges range from financial to administrative to legal, so any solution to the problem must be multifaceted.”
‘“Ted Lasso” is back, but is his moment over?’
A.A. Dowd at The American Prospect
As “comebacks go,” a new season of “Ted Lasso” is “not exactly improbable,” says A.A. Dowd. The show “remains one of the most widely watched series of the last decade, a true juggernaut of popularity.” But at “what point does a show go from having its finger planted firmly on the pulse of now to suddenly looking more out of touch than anything else?” We “may have reached the moment when Ted Lasso’s brand of turn-the-other-cheek humanism is no longer enough.”