First-time Tony Award host Pink kicked off Sunday’s telecast by leading a crowded, exuberant version of “Lady Marmalade” and the first award of the night went to John Lithgow in “Giant.”
Lithgow won best lead actor in a play as children’s author Roald Dahl in Mark Rosenblatt’s production set in 1983, when the author is facing intense backlash to his antisemitic comments. The role earned Lithgow his first Olivier Award in London and now the Tony for lead actor in a play, his third.
The win puts Lithgow in an exclusive group of actors who have won in three separate acting categories. He previously won featured actor in a play for “The Changing Room” and lead actor in a musical for “Sweet Smell of Success.”
Pink started the show spinning and then dangling uncomfortably from a harness over the stage, dressed like Peter Pan. Former host Neil Patrick Harris stepped in to suggest the first-time host just be herself. “You’re Pink, Pink. You can do anything,” he told her.
After lifting Harris off the stage with her legs, Pink relented to his suggestion of being “less Pan-ish” by taking off her harness, adding a top hat and leading an extended “Lady Marmalade” that included contributions from dozens of performers including Lea Michele and Megan Thee Stallion — plus some strange, new lyrics like “Gitchie, gitchie, Laurie Metcalf” — and ended with some 170 performers on stage and crowding the aisles.
In her opening remarks, Pink, who has not yet gotten a Broadway credit, called herself theater’s second-biggest fan after her teenage daughter, Willow. “I’m not here just to steal peoples’ wigs, although I will be doing that. I’m here to celebrate the hardest-working people in show business,” she said.
“Schmigadoon!” and “Death of a Salesman” each went into the main telecast with a lead of three Tonys after a pre-show on Pluto TV hosted by Laura Benanti and Tituss Burgess that announced the more technical awards. Qween Jean became the first openly trans Tony winner ever for making the costumes for “Cats: The Jellicle Ball.” Kai Harada, nominated twice for the sound design of a musical, didn’t initially know which one he had won for until told onstage — “Ragtime.”
Twenty-four Broadway shows are hoping to nab at least one win Sunday across the 26 Tony categories, which can mean the difference between keeping the doors open and pulling down the curtain.
Chicago actress Carrie Coon is up for best leading actress for her performance in “Bug.” The play, written by her husband and fellow Steppenwolf ensemble member Tracy Letts in 1996, was revived on Broadway this winter. This marks the second Tony nomination for Coon, who also made headlines last year for her performance in HBO’s “White Lotus.”
Other local nominees include Steppenwolf ensemble member Laurie Metcalf, who had a big year on Broadway. The former television star (she notably portrayed Jackie on hit sitcom “Roseanne”) had a lead role in “Little Bear Ridge Road.” The show premiered at Steppenwolf in 2024, before transferring to Broadway. Penned by Samuel D. Hunter, the production is up for best new play. Metcalf also starred in the revival of “Death of a Salesman,” and is nominated for best featured actress for her portrayal of Linda Loman.
Chicago native Whitney White nabbed her second Tony nomination for “Liberation,” the Pulitzer Prize-winning dramedy examining new-wave feminism through the lens of six women in the 1970s Ohio.
Plenty of performances
There will be performances from the seven best new musical and best musical revival nominees: “The Lost Boys,” “Schmigadoon!,” “Titanique,” “Two Strangers (Carry a Cake Across New York),” “Cats: The Jellicle Ball,” “Ragtime” and “The Rocky Horror Show.”
Other performances include the original lead cast members of “The Book of Mormon” — Josh Gad, Andrew Rannells, Rory O’Malley and Nikki M. James — this year celebrating its 15th anniversary. Leslie Odom, Jr. will sing “Without You” from “Rent” during the In Memoriam section, in honor of that show’s 30th anniversary.
Another show celebrating a milestone, “Chicago” now at 30, will have a performance slot featuring Pink, as well as Queen Latifah, Jesse Tyler Ferguson, Alex Newell, Adrienne Warren, Julianne Hough, Whitney Leavitt and Dylan Mulvaney. Plus, “A Chorus Line,” which last year celebrated its 50th anniversary, will get a special tribute by Rachel Zegler.
The musical and play races
The competition for best new musical is between four very different shows: “Two Strangers (Carry a Cake Across New York),” an opposites-attract rom-com; “The Lost Boys,” a stage adaptation of a 1987 teen movie vampire thriller; “Schmigadoon!,” which gently mocks Golden-Age Broadway shows; and “Titanique,” a camp musical comedy that reimagines the 1997 movie “Titanic.”
The two top best play nominees are “Giant,” exploring accusations of antisemitism against children’s author Roald Dahl, and “Liberation,” about a consciousness-raising women’s group in the 1970s that explores inequality, gender roles and racism.
There are intriguing races in both the revival categories: A “Death of a Salesman” led by Nathan Lane is competing for best play revival with a modern-set “Oedipus” led by Marc Strong and a sweet “Every Brilliant Thing” starring Daniel Radcliffe.
The best musical revival pits a new “Cats” reimagined as a “Pose”-like competition show, the sweeping American history show “Ragtime” and a rollicking, frisky “The Rocky Horror Show.”