Technologists think that augmented reality is the next big thing that could replace smartphones, TVs, and all the screens in your life.
Alumni from Magic Leap, a hyped augmented reality startup, are now using the technology to create music and art pieces.
Their first work stars Marina Abramović and will premiere simultaneously to 50 people in London in February.
Marina Abramović, the renowned performance artist, is going to be the star of a piece premiering February 18 at the Serpentine Theater, in London.
But she’s not going to be there in person — or, at least, she’s not performing live.
Instead, she’s going to be performing in the lenses of 50 augmented reality headsets simultaneously, all of whom will be wearing AR hardware, including the Magic Leap One, a hyped pair of smartglasses that launched earlier this year.
“Up until now it has been impossible to understand what the artist does and the purpose of the event is unless you were in the room at the time of the event,” Todd Eckert, founder of Tin Drum, which is producing the piece, told Business Insider.
“As a performance artist, my work is about energy, so the work we’ve been doing here, what is the chance that I can really keep energy that can radiate to the public, and you can feel it,” Abramović said in a video starring her 3D avatar.
“This is a really promising media,” Abramović continued.
What is augmented reality?
Augmented reality is a technology that, if you listen to investors in Silicon Valley, might one day be able to replace the smartphone and every other screen in your life by showing advanced computer graphics seamlessly mixed with the real world.
But Tin Drum, a studio partially staffed by Magic Leap alumni and other technologists, is betting that before augmented reality becomes an everyday technology, it’s going to become a new tool for artists and directors to create works that can’t be displayed on a traditional, flat screen.
With this most recent piece, “you have the ability to feel what performance is like, not as an artifact of something that already happened, but the energy of what’s happening now as if you are actually there at the time of the event,” Eckert explained.
Eckert first started thinking about augmented reality and its challenges when he worked for Magic Leap as its director of content development. There, he reached out to a variety of musicians and artists to get their ideas on how to transfer a live performance into a wearable augmented reality experience.
So, after he left Magic Leap, he decided to start a production studio focused on augmented reality projects — and the Abramović piece is Tin Drum’s first public exhibition.
There are lots of challenges when recording a person in three dimensions, often called “volumetric capture,” he explained. It usually requires an array of cameras, as many as 32, as well as a lot of care and time to put the images together in a way that can be placed into a real-world environment. …read more
Source:: Business Insider