We already know that 2025 will be a huge concert year.
While acts like Coldplay, Chris Stapleton, Post Malone, Metallica and The Lumineers will headline the major arenas and amphitheaters around Denver, smaller venues along the Front Range and in the high country are growing their nationally headlining roster at an astonishing rate — even if they will never match the calendar at Red Rocks Amphitheatre (more on that below).
But there are also plenty of questions for music fans about the future. Here are 6 of those questions, along with some answers, for the 2025 concert season, which is just around the corner as shows start at Red Rocks on March 8 with Winter on the Rocks, featuring Gramatik.
1. Will promoters get bots under control?
Probably not. Malicious bots that snatch up large numbers of tickets the moment they go on sale — then drive up prices for the re-sale market — are like weeds, with new ones sprouting up the moment another disappears. Industry professionals are skeptical they can tame them, though they’re trying, said AEG Presents Rocky Mountains president Don Strasburg.
Ticket seller AXS — a spin-off of AEG that was also founded by Colorado billionaire Philip Anschutz — says it fights bots with its virtual waiting room, “where fans can join before an event goes on sale, allowing the platform to filter out automated bots and randomly select users to access tickets …” It’s a fairness issue, said the company, which sells most of the concert tickets at Red Rocks and all the tickets at city-owned venues.
The Federal Trade Commission and state lawmakers continue to investigate bots and re-sellers as well, leading to progress such as Colorado’s transparency-in-pricing bill, which as of August allows buyers to see fees before they click “purchase.”
2. Has country overtaken jam bands as Colorado’s hottest music?
Yes. With the proviso that country has always been more mainstream than jam bands in terms of ticket sales, radio play, industry profile, and booking. They may not always dominate Red Rocks’ calendar, for example, but the number and size of country concerts in metro Denver is growing, with major shows from Morgan Wade (Feb. 23 at Mission Ballroom), Post Malone and Jelly Roll (June 15 at Empower Field), Keith Urban (July 17 at Fiddler’s Green Amphitheatre), and Chris Stapleton (Aug. 22 at Ball Arena) and dozens more this year.
Grand Junction’s Country Jam also returns June 26-28 with Luke Bryan, Bailey Zimmerman, Cody Johnson, Tracy Lawrence and more. That’s not even mentioning the artists in the sweet spot of the country-jam-band crossover, from Americana and bluegrass to the twangy singer-songwriters populating theaters and clubs. We’re also likely getting a new country bar in LoDo, as plans have been filed for a mechanical bull in the space recently vacated by The Sports Column. And the TouchTunes digital jukebox company reports that many of the most popular songs played in Colorado are by artists like Morgan Wallen, Zach Bryan and Toby Kieth.
Nathaniel Riley performs with his band during the Outside Festival at Civic Center Park in Denver on June 2, 2024.
3. Have we reached full festival fatigue?
Yes. Promoters and artists have said there’s little room for new, multi-day events in the metro area, given that Colorado mountain towns are already bursting with them (see blues, folk and jazz fests through the summer in Telluride, Snowmass, Lyons, Vail, etc.).
Denver’s Underground Music Showcase, which returns July 26-28 along South Broadway, already features more than 100 local and national acts, while local mini-fests (see the excellent Ghost Canyon Fest) and packed bills have filled the demand for multi-performer events. That includes Civic Center’s returning Outside Festival (May 31-June 1), with Lord Huron, Khruangbin, Sylvan Esso, Trampled by Turtles and more.
On top of that, long-running fests that went on hiatus haven’t returned, such as the Westword Music Showcase, Arise Music Festival and Meow Wolf’s Vertex — not to mention the canceled Grandoozy, SnowBall, Velorama, and Mile High Music Festival of years past. The demand just isn’t there anymore.
“Festival fatigue is real,” said AEG’s Strasburg. “And one thing that’s been said before, but it’s true, is that Colorado already hosts the greatest festival in the world each year with its season of Red Rocks shows.”
4. Will Phish ever play Dick’s Sporting Goods Park again?
Maybe. The band this week confirmed a trio of dates at Folsom Field, July 3-5, marking its debut at the Boulder venue that typically hosts University of Colorado football games. Strasburg told The Denver Post that AEG Presents, which is handling the shows, works on a year-by-year basis and wouldn’t commit to a 2026 return.
So, it’s possible. But if the Folsom shows go well — and there’s every reason to believe they will, given Phish’s slick operations, constant sell-outs and fan loyalty — it would make sense for them to play a Colorado venue with fewer shows and more tickets than their annual Labor Day run at Dick’s in Commerce City, which has been going since 2011 (minus the 2020 off-year).
Phish is also well positioned to take over the regular Dead & Co. runs at Folsom, which ended in 2023, and make their multi-night stand a new summer tradition.
5. Has Red Rocks hit full calendar capacity?
Yes. For the first time, promoter AEG Presents, which books most Red Rocks shows, said the venue cannot fit any more events, minus the occasional rescheduled show or yet-to-be-announced booking. That bucks years of growth at the venue, which now hosts about 150 concerts each year through October and early November.
That’s a good thing for music fans seeing their favorite artist at arguably the world’s best venue. The revenue it generates for the city of Denver, which owns the historic amphitheater, ensures its upkeep and improvements, according to Denver Arts & Venues. But even as its calendar has expanded to winter months in recent years, there’s still a hard, seasonal wall that prevents most shows from reaching into December or February, promoters said.
There’s warm-weather room to grow at other amphitheaters, however, with bookings increasing in stature and number at Dillon Amphitheater, Buena Vista’s Meadow Creek, Ford Amphitheater, Levitt Pavilion Denver, and various high-country outdoor stages.
6. Will Ford Amphitheater and its neighbors ever come to terms?
Likely, but there’s no guarantee. Disagreements over noise levels at the luxury outdoor venue in Colorado Springs have pitted some neighbors against Venu, which owns the amphitheater that debuted in a big way just last year. But despite contentious city council meetings, constant emails from the Ford Hurts Families group, and public appeals, its owner, as well as promoter AEG Presents, are optimistic about putting a lid on it with new sound retention walls, tunnels, neighborhood noise-sensors, and other negotiated efforts.
“We recognized that we needed to bring this to a conclusion, and we have worked diligently with the city and residence of Colorado Springs to come to a resolution,” Venu owner JW Roth said via email this week. “We are jazzed about the upcoming season, and we feel great about the resolution that we accomplished!”
“We hope to see Venu make good on their promises …” critics wrote in the latest Ford Hurts Families newsletter, while noting that their current agreement could allow mitigations promised for 2025 not to be built until after the coming season, and attendant disruption, as they put it, has already occurred.