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2024 Equity Jeff Awards winners — Goodman, Steppenwolf, Drury Lane among top honorees

Chicago’s theater community celebrated the 56th annual Jeff Awards for Equity Theater on Monday night in a gala ceremony at the Drury Lane Theatre in Oakbrook Terrace. The awards recognize excellence in Chicago’s Equity theater productions presented during the 2023-24 season.

In all, 44 award recipients were honored from among 193 nominees across 34 categories for shows from 36 producing entities. In addition, two icons of local companies — Court Theatre’s former artistic director Charels Newell and Goodman Theatre’s former executive director/CEO Roche Schulfer — were each honored with a Special Award for their achievements in Chicago theater.

Leading the field this year were the Goodman Theatre and Steppenwolf Theatre, each receiving 6 awards, the most for large theaters, followed by A Red Orchid Theatre, Drury Lane Productions and the Marriott Theatre, which each received four awards, the most in the midsize theaters categories.

The Goodman productions honored included “The Penelopiad” for best ensemble — play; and best original music in a play, Samuel Davis. “The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years” took home wins for best performer in a supporting role, E. Faye Butler (tied with Mitchell J. Fain for “The Lehman Trilogy” at TimeLine Theatre Company); and Arnel Sancianco for best scenic design. “The Matchbox Magic Flute” earned awards for best scenic design, Todd Rosenthal (tied with Sancianco), and best costume design, Ana Kuzmanic.

Steppenwolf earned three wins for its production of “Purpose,” including best play, best director Phylicia Rashad, and best new work by Brandon Jacobs-Jenkins. In addition, “Little Bear Ridge Road” was honored in the categories (including two ties with “Purpose”) of best director of a play, Joe Mantello; best performer in a principal role, Laurie Metcalf (tied with Scott Aiello for “A View from the Bridge” at Shattered Globe Theatre); and best new work, Samuel D. Hunter.

A Red Orchid received four awards for its production of “Turret,” including best production of a play— midsize; best scenic design, Grant Sabin; best lighting design — midsize, Mike Durst; and best sound design — midsize, Jeffrey Levin.

In the musicals categories, Marriott Theatre was honored for “Beautiful: The Carole King Musical” including best musical — large; best director of a musical, Jessica Fisch; best performer in a principal role — musical, Kaitlyn Davis (tied with Meghan Murphy for “Anything Goes” at Porchlight Music Theatre); and Andrew Mueller for best performer in a supporting role (tied with Adrian Aguilar for “Jersey Boys” at Mercury Theater Chicago).

Drury Lane was honored for “Ain’t Misbehavin’,” which won for best ensemble of a musical; best production of a revue; best director of a revue, E. Faye Butler; and best performer in a revue, Lorenzo Rush Jr.

L. Walter Stearns and Brenda Didier took home the award for best director of a musical — midsize, for “Jersey Boys,” which also won for best musical — midsize. Justin Peck won for best choreography for “Illinoise” at Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann. Best solo performance went to Hershey Felder for “Hershey Felder as Monsieur Chopin” at Writers Theatre.

Here’s the complete list of winners:

Production —Play (Large)

“Purpose” — Steppenwolf Theatre Company 

Jon Michael Hill (from left), Glenn Davis with Ayanna Bria Bakari and Harry Lennix in Steppenwolf Theatre Company’s world premiere of “Purpose” by Branden Jacobs-Jenkins, directed by Phylicia Rashad.

Michael Brosilow

Production — Play (Midsize)

“Turret” — A Red Orchid Theatre

“A View from the Bridge” — Shattered Globe Theatre

Production – Musical (Large)

“Beautiful: The Carole King Musical,” directed by Cassie Abate at the Marriott Theatre in Lincolnshire.

Suzanne Cordeiro

“Beautiful: The Carole King Musical” — Marriott Theatre

Production – Musical –(Midsize)

“Jersey Boys” — Mercury Theater Chicagox

Production – Revue

Micah Mixon (from left), James T. Lane, Alexis J. Roston, Lorenzo Rush Jr. and Alanna Lovely in “Ain’t Misbehavin’” at Drury Lane Theatre.

Justin Barbin

“Ain’t Misbehavin’” — Drury Lane Productions

Director – Play (Large)

Joe Mantello – “Little Bear Ridge Road” — Steppenwolf Theatre Company

Phylicia Rashad – “Purpose” — Steppenwolf Theatre Company

Director – Play (Midsize)

Louis Contey – “A View from the Bridge” — Shattered Globe Theatre

Director – Musical (Large)

Jessica Fisch – “Beautiful: The Carole King Musical” — Marriott Theatre

Director – Musical (Midsize)

L. Walter Stearns and Brenda Didier – “Jersey Boys” — Mercury Theater Chicago

Director – Revue

E. Faye Butler – “Ain’t Misbehavin’” — Drury Lane Productions

Ensemble – Play

“The Penelopiad” — Goodman Theatre

Ensemble – Musical

“Ain’t Misbehavin’”- Drury Lane Productions

Performer In A Principal Role – Play

Sarah (Laurie Metcalf) and her estranged nephew Ethan (Micah Stock) attempt to find some connection in Steppenwolf Theatre’s world premiere production of “Little Bear Ridge Road.”

Michael Brosilow

Scott Aiello – “A View from the Bridge” — Shattered Globe Theatre

Laurie Metcalf – “Little Bear Ridge Road” — Steppenwolf Theatre Company

Performer In A Principal Role – Musical

Kaitlyn Davis – “Beautiful: The Carole King Musical” — Marriott Theatre

Meghan Murphy – “Anything Goes” — Porchlight Music Theatre

Performer In A Revue

Lorenzo Rush, Jr. – “Ain’t Misbehavin’” — Drury Lane Productions

Solo Performance

Hershey Felder – “Hershey Felder as Monsieur Chopin” — Writers Theatre

Performer In A Supporting Role – Play

Sharriese Hamilton (from left), Demetra Dee and E. Faye Butler in “The Nacirema Society Requests the Honor of Your Presence at a Celebration of Their First One Hundred Years” at the Goodman Theatre.

Liz Lauren

E. Faye Butler —“The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years” — Goodman Theatre

Mitchell J. Fain – “The Lehman Trilogy” — TimeLine Theatre Company

Performer In A Supporting Role – Musical

Adrian Aguilar – “Jersey Boys” — Mercury Theater Chicago

Andrew Mueller – “Beautiful: The Carole King Musical” — Marriott Theatre

New Work

Samuel D. Hunter – “Little Bear Ridge Road” — Steppenwolf Theatre Company

Branden Jacobs-Jenkins – “Purpose” — Steppenwolf Theatre Company

Choreography

Dancers use intricate physical motion to interpret Sufjan Stevens’ songs in “Illinoise” at Chicago Shakespeare Theater.

Justin Peck – “Illinoise” — Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann

Original Music In A Play

Samuel Davis – “The Penelopiad” — Goodman Theatre

Music Direction

Nathan Koci – “Illinoise” — Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann

Scenic Design (Large)

Tina Muñoz Pandya, Lauren Molina, Monica West and Russell Mernagh (standing, left to right) and Billy Rude in “The Matchbox Magic Flute” at the Goodman Theatre.

Liz Lauren

Todd Rosenthal – “The Matchbox Magic Flute” — Goodman Theatre

Arnel Sancianco — The Nacirema Society Requests the Honor of Your Presence at the Celebration of Their First One Hundred Years”- Goodman Theatre

Scenic Design (Midsize)

Grant Sabin – “Turret” — A Red Orchid Theatre

Lighting Design (Large)

Cat Wilson – “A Streetcar Named Desire” — Paramount Theatre

Lighting Design (Midsize)

Mike Durst – “Turret” — A Red Orchid Theatre

Costume Design (Large)

Ana Kuzmanic – “The Matchbox Magic Flute” — Goodman Theatre

Costume Design (Midsize)

Aly Greaves Amidei – “Miss Bennet: Christmas at Pemberley” — Buffalo Theatre Ensemble

Sound Design (Large)

André Pluess – “The Lehman Trilogy” — TimeLine Theatre Company

Sound Design (Midsize)

Jeffrey Levin – “Turret” — A Red Orchid Theatre

Projection Design

Mike Tutaj – “Gods and Monsters” — Frame of Reference Productions

Artistic Specialization

Timo Andres – Music Arrangements and Orchestrations – “Illinoise” — Chicago Shakespeare Theater in association with ArKtype/Thomas O. Kriegsmann

Short Run Production

“Welcome to Matteson!” — Congo Square Theatre

Short Run Production – Performer

Harry Lennix as August Wilson in “How I Learned What I Learned” at The Broadway Playhouse at Water Tower Place.

SULYIMAN/Courtesy of Congo Square Theatre

Harry Lennix – “How I Learned What I Learned” — Congo Square Theatre in association with Goodman Theatre

Special Award

Presented to two arts leaders whose influence has extended beyond Chicago to the national stage including Tony Awards for their respective companies:
Charles Newell, Court Theatre

Roche Schulfer, Goodman Theatre

For more information, visit jeffawards.org.

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